Sus chords, or suspended chords, are variations to traditional major and minor chords. While the name might seem unfamiliar, you’ve undoubtedly heard them many times and would recognize them immediately in popular songs like “Crazy Little Thing Called Love” by Queen and many others. They have multiple uses and really help to add color and movement to chord progressions, particularly around a single chord.

In previous lessons we’ve learned about major, minor and diminished triads. In this lesson we’ll round out the triads with augmented triads. We’ll take a look at the interval structure that creates the augmented triad and map them to the guitar fretboard.

Guitar double stops can add a lot of flavor to your playing. They add life and fullness to both rhythm and lead playing, creating interesting textures not achieved by basic chords or single notes alone.

In a previous lesson, we looked at how to build chords from the major scale, which is an important concept when it comes to understanding diatonic harmony. In this lesson we’re going to go through the process of building minor scale chords, which follows the same process as the major scale.

In previous lessons we’ve explored both major triads and minor triads, which are two of the most commonly used triads. In this lesson we round out the triads of the major scale with a look at diminished triads.