Arpeggios are great tools to be used in music, but they can take a little time to get under your fingers. In this lesson, we’ll take a look at a few approaches to practicing arpeggios that not only build technique, but also improve musicality and overall knowledge of the fretboard.

In this lesson we’re going to explore triplets on guitar. Triplets are rhythmically different than quarter, eighth, and sixteenth notes and can really add a cool feel to both rhythm playing and lead guitar licks.

In this lesson we’re going to work on two foundational techniques of guitar playing, hammer-ons and pull-offs. At first these techniques may feel a bit difficult and awkward, but with focused practice they’ll become an integral part of your playing.

With so much attention given to the left hand when playing guitar, right hand technique is a frequently overlooked. With little or no dedicated attention, the right hand seems to be dragged along for the ride with the progression of left hand technique. What can happen over time is the development of left hand technique becomes limited by the slower developing right hand, and progress as a whole slows to a crawl.

When first starting out on guitar, simply fingering guitar chords is quite the challenge. Some fingerings are super awkward, making smooth chord transitions on guitar feel like an insurmountable task.

With a few focused pinky strengthening exercises for guitar, you can quickly transform the pinky from a weakness into a strength.

Every guitarist knows it’s tough to play when you’re not warmed up. You pick up the guitar, start plucking away, but your hands are stiff, your timing is off, and you feel like things just don’t want to move.

A Pedal point, or pedal note, is a sustained or repeated note. They’re used in rhythm playing as well as leads and you hear them often in rock, metal, and neoclassical music. In this lesson, I’m going to give you 5 examples of pedal point licks that also make great lead guitar exercises.

David Gilmour is known for his melodic guitar solos and epic bends. Having described his intention when playing the guitar as wanting to make the guitar “sing”, he’s taken his bending technique to another level. So, why not learn from the master himself?