Parallel scales are scales that share the same root note, or tonic. It’s easy to confuse them with relative scales, which share all the same notes, but have a different tonic note. In this lesson we’ll take a look at what parallel scales are, how to figure out the notes of the parallel scale, and common uses for the scales.
Sus chords, or suspended chords, are variations to traditional major and minor chords. While the name might seem unfamiliar, you’ve undoubtedly heard them many times and would recognize them immediately in popular songs like “Crazy Little Thing Called Love” by Queen and many others. They have multiple uses and really help to add color and movement to chord progressions, particularly around a single chord.
In this lesson we’re going to explore triplets on guitar. Triplets are rhythmically different than quarter, eighth, and sixteenth notes and can really add a cool feel to both rhythm playing and lead guitar licks.
In previous lessons we’ve learned about major, minor and diminished triads. In this lesson we’ll round out the triads with augmented triads. We’ll take a look at the interval structure that creates the augmented triad and map them to the guitar fretboard.
In this lesson we’re going to take a deep dive into the G major scale on guitar. We’ll look at the intervals and notes that make up the scale, the five positions and patterns for the scale, chords that are built from the G major scale, and also look at some song examples based in the key of G major.
In a previous lesson, we looked at the 3 notes per string major scale, which is a way to outline major scale patterns across the fretboard using 3 notes on each string. In this lesson we’re going to do the same thing with the minor scale and build out the 3 notes per string minor scale patterns.
In this lesson we’re going to take a deeper look at the D major scale, which is another commonly used scale in popular music. We’ll take a look at the notes, intervals, scale positions and chords that make up the key of D major.
In a previous lesson, we looked at how to build chords from the major scale, which is an important concept when it comes to understanding diatonic harmony. In this lesson we’re going to go through the process of building minor scale chords, which follows the same process as the major scale.
In previous lessons we’ve explored both major triads and minor triads, which are two of the most commonly used triads. In this lesson we round out the triads of the major scale with a look at diminished triads.